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Hot on the heels of the new Museum [Insider] book, I’ve published again, just a week later! And just like the last one, this is just as niche and almost as costly.
I have a paper published in a new book called, published by Routledge. The book is an edited version of a conference I spoke at a few years ago with my colleagues David Francis and Claire Edwards from the British Museum. The three of us wrote our paper up into a chapter of the book, which appears alongside other people, including museum interpretation guru George Hein, who we got to share a stage with during a Q&A at the conference – a definite career highlight so far!
Our paper discusses how museums might create an object-centred interpretive approach to interpretation and how that is balanced with a more traditional story-led approach. We had undertaken some research at the British Museum and reported our findings here.
It’s quite a wide-ranging book:
1. Introduction . Juliette Fritsch
Part I: Situating Interpretation in the Museum Context
2. “The Museum as a Social Instrument”: A Democratic Conception of Museum Education. George E. Hein
3. Invoking the Muse: The Purposes and Processes of Communicative Action in Museums. Paulette M. McManus
4. Interpretation and the Art Museum: Between the Familiar and the Unfamiliar. Cheryl Meszaros, eds. Jennifer J Carter, Twyla Gibson
Part II: The Role of Interpretation in Art Galleries
5. Towards Some Cartographic Understandings of Art Interpretation in Museums. Christopher Whitehead
6. Art for Whose Sake? Sue Latimer
7. The Seeing Eye: The Seeing “I”. Sylvia Lahav
8. Part III: How Can We Define the Role of Language in Museum Interpretation?
Part IV: Interpretation, Personal Experience, and Memory
9. “I loved it dearly”: Recalling Personal Memories of Dress in the Museum. Torunn Kjolberg
10. Welcome to My World: Personal Narrative and Historic House Interpretation. Mariruth Leftwich
11. Narrative Museum, Museum of Voices: Displaying Rural Culture in the Museo Della Mezzadria Senese, Italy. Marzia Minore
Piri Reis map
The Piri Reis map dated 1513 and it is the first surviving map that shows the Americas. The Piri Reis map shows the western coast of Africa, the eastern coast of South America, and the northern coast of Antarctica. The northern coastline of Antarctica is perfectly detailed. The most puzzling however is not so much how Piri Reis managed to draw such an accurate map of the Antarctic region 300 years before it was discovered, but that the map shows the coastline under the ice.
The Piri Reis map was made by a Turkish Admiral Piri Ibn Haji Mehmed. Reis means admiral. His passion was cartography